Inspired, he started making his own beats, stitching together samples and genres to create a sonic collage reflecting his tumultuous London existence.
It’s an approach that was inspired by his university course in graphic design.
“My teacher would always make me make something and then she’ll be like, ‘All right, cool, now that you’ve made this, cut this up then try and make it into something completely new’,” Legxacy told the New York Times, external.
Even so, the initial results weren’t great.
“I started off really bad,” he admitted, “but I’d send a voice note of me rapping to my boys every week and they’d critique my technique, delivery, beat selection, etc.
“After a few months I was rapping like it was second nature.”
He uploaded his first song, Plethora, to TiKTok in 2019 and was “gassed” when it received 1,000 plays in a day.
But as his music took off, he found it difficult to keep up. For a period, Legxacy was homeless – the byproduct of a legal situation his father found himself in – sleeping on friends’ floors and (in one case) in their office.
He addressed the situation on his debut mixtape in 2022. “No silver spoons in my hood, just empty pockets,” he mused.
Yet the majority of the songs were concerned with a broken relationship, hopelessly dissecting what went wrong.
Led by the subject matter, he started singing more, his dewy-eyed timbre adding emotional depth to the fragmented, impressionistic soundscapes.
“What music in London has been missing for a long time is vulnerability, because I think a lot of us are trying so hard to come across a certain way,” he told Kids Take Over.
“Everyone falls into that cycle, especially when you grow up where you grow up. But I just always try to emphasise in the music that there is a sensitive side. I’m trying to integrate as much honesty into things.”