What’s more, Harry nets the biggest opening week for a male solo artist in almost a deacde, since Ed Sheeran’s ÷ (Divide) in 2017.
The release simultaneously tops the Official Vinyl Albums Chart and nets Harry the biggest opening week on vinyl of his career, with over 66,000 sleeves sold in the past seven days to smash his previous personal best of 36,000, achieved with Harry’s House. The accumulation of these numbers means that Kiss All The Time. Disco, Occasionally. nets the biggest first week vinyl album sales figure for a UK artist this century, surpassing Sam Fender’s 42,769 vinyl sales with People Watching in 2025.
Moreover, American Girls becomes the British star’s fourth Number 1 single, joining strong company in Sign of the Times (2017), As It Was (2022) and Aperture (2026) in his tally of chart-toppers.
This isn’t the first time Harry has earnt the Official Chart Double, having achieved the feat in 2022 when As It Was hit Number 1 the same week Harry’s House topped the Official Albums Chart. With Harry-mania at an all-time high, Harry’s House also re-enters the Top 40 this week (31).
Albums
Morrissey’s returns after five years with Make-Up is a Lie, which earns the former The Smiths frontman a 13th solo Top 5 album (3).
London outfit Squeeze fit their way into this week’s Top 20 with Trixies (15), their highest charting project since 2015’s Cradle To The Grave.
Congratulations go to Katherine Priddy, who bags her first ever Top 40 entry, and then some. The British folk singer-songwriter lands at Number 21 this week with These Frightening Machines while also taking home Number 1 on the Official Record Store Chart. An amazing week for the talented Brummie!
Following his triumphant homecoming shows at The O2, London, and with the rest of his tour continuing on in the UK this week, Dave sees The Boy Who Played The Harp also re-enter the Top 40 (29).
Elsewhere, Oasis’s Time Flies… (1994-2009) (11) and (What’s The Story) Morning Glory? (20) each climb four, while Calvin Harris’s 96 Months reappears in the main standings for the first time since September 2025 (39).
See the Official Albums Chart Top 100 in full here from 5.45pm.
Singles
After securing the double, two other tracks from Harry’s new LP – Aperture (4) and Ready, Steady, Go! (5) – both land inside the Top 5 this week. Three hits in the Top 5 was also achieved by Styles back in 2022, when As It Was topped the chart, while Late Night Talking occupied the Number 2 spot and Music For A Sushi Restaurant took up third place.
That means that after three consecutive weeks sitting at the summit, Sam Fender and Olivia Dean’s BRITs Song of the Year-winning smash Rein Me In is knocked down to Number 2.
Follow that tune! Madonna’s classic Into The Groove returns to the Top 20 for the first time in 40 years, vaulting 22 positions (18), thanks to a viral streaming boost spearheaded by influencer Gymskin. Into The Groove was Madonna’s first-ever Number 1 single, and this is the song’s first appearance in the Top 20 since September 1985. Read more on Into The Groove’s Official Chart resurgence here.
The good fortune continues for American musician Dominic Fike, as Babydoll moves to Number 13 and White Keys, which entered the Top 40 for the first time last week, scales another eight positions to unlock a new Top 20 peak (19).
Tame Impala’s Dracula breaks fresh ground and scores a new personal best, piercing the Top 20 thanks, in part, to its remix featuring BLACKPINK’s JENNIE (17).
As its social media revival roars on, Sean Paul and Keyshia Cole’s 2006 hit (When You Gonna) Give It Up To Me ascends three places to earn the track its highest-ever position, surpassing its previous personal best banked 20 years ago (30).
And finally, there’s more good news for rising sensation Bella Kay, as The Sick enters the Top 40 for the first time (33), marking another incredible milestone for the independent US singer-songwriter.
See the full Official Singles Chart Top 100 here from 5.45pm.