Behind every newly minted star — Heated Rivalry‘s Connor Storrie, One Battle After Another‘s Chase Infiniti and Sentimental Value‘s Renate Reinsve number among 2026’s biggest Hollywood breakouts — there is always a stylist working overtime to ensure every Choo and Cartier diamond aligns with what’s now and what’s next. Stylists wield as much power in Hollywood as they do double-sided tape, especially when it comes to marketing a film or TV show even before it hits theaters and streamers. Consider Timothée Chalamet’s “hardcore orange” curated by his stylist, Taylor McNeill, for the Marty Supreme premieres (A24’s highest-grossing worldwide release ever); Margot Robbie’s Cathy-worthy corsets for the Wuthering Heights press juggernaut as styled by Andrew Mukamal (the same mastermind behind Robbie’s Barbiecore for the $1.44 billion-grossing film); or Paul Anthony Kelly’s nod to JFK Jr.’s iconic ’90s style, which his stylist Warren Alfie Baker revisited to promote FX’s Love Story.
And now, The Devil Wears Prada 2 fans wait with bated breath — or “girded loins,” as Stanley Tucci’s Nigel would say — to see what Meryl Streep’s and Anne Hathaway’s stylists, Micaela Erlanger and Erin Walsh, respectively, will dress them in, having already driven a record-smashing 222 million views in 24 hours for the trailer. “There’s a real sense of play on this tour — everyone is in on the reference, but we’re not re-creating the past, we’re evolving it,” says Erlanger, Streep’s stylist. “And yes, there are a few moments coming that fashion people and film lovers alike will instantly recognize, but with just enough of a twist to keep you on your toes.” With Falcon agency founder Ashley Falcon, who reps Erlanger, adds, “The amount of attention a film or TV project can garner from an amazing styling and glam run can dramatically influence views and ticket sales.”
And yet as studios slash glam budgets amid fewer productions and increasing consolidation — with styling fees dipping as low as $500 for a look that can drive up to $3,500 in hard costs for tailoring and shipping — stylists in Hollywood may wonder if their labor is being valued, or if what they do still matters. It may seem bleak when OG stylist Kate Young says she is paid less for press-tour work today than 15 years ago. “The reality is that brands hold the purse strings now. When I started doing this, movie companies paid,” Young has said recently.
With income stemming from the labels themselves — even talent is asked to supplement studio rates out of pocket — a red carpet fatigue can set in as brand endorsements become predictable. (Remember when “Who are you wearing?” could be legitimately surprising?) The shifting landscape has forced stylists to leverage themselves as brands for collaborations, social partnerships and consulting; to dip into the private client sector (with high-net-worth individuals willing to pay a celebrity stylist their full rate); as well as advertising. “If anything, stylists’ influence is expanding,” counters The Only Agency founder and CEO Kent Belden, citing the surge in content across social and legacy media. “As long as talent is front-facing in music, movies, TV shows, red carpets, etc., stylists will always matter. They are not just dressing talent; they’re setting trends for the rest of the world and culture at large.”
In today’s ecosystem of stars and sales (of both the movie ticket and fashion variety), stylists are key tastemakers in the dream factory that is Hollywood. “A stylist’s work can propel talent into becoming a brand’s face. The looks they choose can insert their client into a narrative they’ve never been in and help to position them for what they want next, career-wise,” says Falcon. You can feel it when that perfect stylist-talent pairing has been achieved, says A-Frame co-founder Alexandra Feldman, because it “ripples through the zeitgeist.” Or, at the very least, Instagram.
Photographed by Daniel Prakopcyk (3); Photographed by Chantal Anderson
Jared Ellner’s Corset Callback
CLIENTS Sabrina Carpenter, Emma Chamberlain
Carpenter revealed a sparkly corset under a little white towel for the opening number of her Short n’ Sweet Tour.
Christopher Polk/PMC
TOP LOOK A series of custom Victoria’s Secret bedazzled corsets under a little white towel were pivotal for Carpenter’s wardrobe reveal on her Short n’ Sweet Tour, which generated $77.4 million by the end of 2025. Ellner says the finale bodysuit — a glitzy ombre number with the MGM-approved “The End” graphic on the front — was the “perfect way to finish out that chapter.” Carpenter appreciates the razzle-dazzle, as evidenced by her inspirations (“I pull a lot of inspo from the great Bob Mackie girls, Jane Birkin, Barbara Bouchet!”) and love of shine: “If I could wear one thing forever, it would have to be diamonds.”
What is the most exciting part about collaborating with Sabrina?
Sabrina has such a strong sense of who she is and what kind of art she wants to create.
What are the three key components of Sabrina’s style?
She’s always feminine, timeless and sexy.
You’ve said that the Short n’ Sweet Tour was life-changing. How so?
It was my first experience styling a tour of this scale; such a culturally significant show.
Says pop megastar Sabrina Carpenter, here with her stylist Jared Ellner, “I feel most comfortable wearing some kind of vintage mini-shift dress and most powerful wearing something that moves beautifully when I twirl in it!”
On Ellner: Acne Studios shirt, pants; Ellner’s own jewelry, shoes. On Carpenter: Mugler dress; Chopard jewelry; Christian Louboutin shoes.
Photographed by Daniel Prakopcyk; Carpenter hair: Irinel de Leon. Carpenter makeup: Carolina Gonzalez.
On Ellner: Acne Studios shirt, pants; Ellner’s own jewelry. On Carpenter: Mugler dress; Chopard jewelry; Christian Louboutin shoes.
Photographed by Daniel Prakopcyk; Carpenter hair: Irinel de Leon. Carpenter makeup: Carolina Gonzalez.
On Ellner: Acne Studios shirt, pants; Ellner’s own jewelry. On Carpenter: Mugler dress; Chopard jewelry.
Photographed by Daniel Prakopcyk
James Yardley Brings the Heat
CLIENT Connor Storrie
Storrie smolders in a tank and a Prince of Wales double-breasted Saint Laurent suit at the W Magazine, Charli XCX and Saint Laurent Grammy afterparty.
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TOP LOOK “Connor knows how to push things … more color, more energy, more direction,” says Yardley of the recently appointed Saint Laurent brand ambassador. Whether sheer, shirtless or manifesting style with an edge, the Heated Rivalry star knows how to give his 4 million (and rapidly increasing) Instagram followers what they want, including his own favorite look, which he says was “for the SAG [Actor] Awards: a Saint Laurent suit paired with a statement Tiffany & Co. necklace. The combination of styling and tailoring made it feel incredibly polished and sleek.”
How would you describe Connor’s style?
Leans classic, with strong tailoring and a precise fit, but there’s a slightly European sensibility in the choice of fabrics, colors and cuts. It feels refined but modern.
How do you showcase Connor’s personality on the red carpet?
We use jewelry and watches, keeping the clothing itself clean and considered. Nothing ever feels loud; it’s always intentional, polished and quietly confident.
What stands out to you about working with Connor?
I appreciate the time he commits to fittings. We fit and refit to make sure the tailoring is exact, and we properly explore the racks. We genuinely love the process of trying everything on.
Connor is known for his statement sunglasses. Do you have a favorite pair?
His Golden Globes sunglasses stole the show.
Connor Storrie (top) and James Yardley were photographed by Daniel Prakopcyk on March 15 at The Four Seasons Hotel, Los Angeles.
On Storrie: Saint Laurent jacket, shirt, jeans; Tiffany jewelry; Tag Heuer watch. On Yardley: Saint Laurent jacket, shirt, jeans; Tiffany jewelry; Omega watch.
Photographed by Daniel Prakopcyk; Storrie grooming: Candice Birns.
On Storrie: Saint Laurent jacket, shirt, jeans; Tiffany jewelry. On Yardley: Saint Laurent jacket, shirt.
Photographed by Daniel Prakopcyk
Wayman Bannerman and Micah McDonald’s ‘It’ Girls
CLIENTS Chase Infiniti, Teyana Taylor, Colman Domingo
Infiniti commandeered the red carpet over awards season, culminating in this mirrored Louis Vuitton at the Golden Globes.
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TOP LOOK Wayman + Micah collaborated with Hollywood’s women of the moment, One Battle After Another’s Infiniti and Taylor, turning out multiple “best dressed” looks. Infiniti sealed her awards season “It” girl status at the Golden Globes in an exaggerated, mirror-embellished Louis Vuitton bustier and black velvet skirt. “We wanted a dramatic, bold moment for Chase’s first major red carpet,” says Bannerman. “It was an incredible sight both on and off camera.” It also worked perfectly with Infiniti’s vibe: “Be the one people stare at and embrace that.”
How long have you been working with Chase?
Bannerman We started working together last September, even though we feel like we’ve known each other for a long time. Chase is so open and collaborative, and we are excited to be riding this incredible ride with her.
How would you describe Chase’s style?
McDonald She’s feminine, bold and whimsical. Chase’s style mirrors her personality as well, with her warmth and electric energy.
What’s your favorite look and how did it come together?
McDonald Chase’s Oscars gown balanced her fearlessness and strength, along with her youthful and calming nature — she carried it so well. It was a closing to her stellar awards season run, but also the beginning of what’s yet to come.
Chase Infiniti, Wayman Bannerman (right) and Micah McDonald were photographed by Daniel Prakopcyk on March 29 at The Georgian Hotel in Santa Monica.
On Infiniti: Louis Vuitton top, skirt; Chopard jewelry. On Bannerman: All clothes Louis Vuitton; stylist’s jewelry. On McDonald: All clothes Louis Vuitton; Bulgari jewelry.
Photographed by Daniel Prakopcyk; Infiniti hair: Coree Moreno. Infiniti makeup: Amber Dreadon. Wayman + Micah grooming: Jamie Richmond for Exclusive Artists using Rare Beauty and Kat Burki.
On Infiniti: Louis Vuitton top, skirt; Chopard jewelry; Alevi shoes. On Bannerman: All clothes Louis Vuitton; stylist’s jewelry. On McDonald: All clothes Louis Vuitton; Bulgari jewelry.
Photographed by Daniel Prakopcyk
Warren Alfie Baker’s Deluxe Dude Style
CLIENTS Paul Anthony Kelly, Glen Powell, Lewis Pullman
Paul Anthony Kelly epitomizes effortless masculine chic in a Celine jacket and jeans.
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TOP LOOK The Love Story actor channeled John F. Kennedy Jr.’s aesthetic in a Celine suit jacket and jeans outside of a Good Morning America taping in New York City. “JFK Jr. was such a fashion icon that we knew if we followed that recipe, we would be great,” says Baker. Citing his grandfather as his fashion icon, Kelly concurs, and reveals a mantra for achieving great style: “Warren has taught me to keep it easy and classy and to ‘let ’em have it.’ ”
Did you lean into JFK Jr.’s style for Paul? If so, how?
We wanted to play in the JFK Jr. world as his looks were so iconic but also wanted to bring a modern feel.
How would you describe Paul’s own style?
Effortless, with a relaxed ’50s vibe, which I love.
What’s your favorite fashion moment with him?
His Brunello Cuccinelli look for the Vanity Fair party was beautiful and effortlessly masculine.
Paul Anthony Kelly (left) and Warren Alfie Baker were photographed by Daniel Prakopcyk on March 14 at Hotel
Bel Air in Los Angeles.
On Kelly: Giuliva Heritage suit; stylist’s shirt, tie; Omega watch; Kelly’s jewelry; Jacques Marie Mage sunglasses. On Baker: Giuliva Heritage suit; stylist’s shirt, tie; Omega watch; David Yurman jewelry; Jacques Marie Mage sunglasses.
Photographed by Daniel Prakopcyk; Kelly grooming: Jess Ortiz.
On Kelly: Giuliva Heritage suit; stylist’s shirt, tie; Omega watch; Kelly’s jewelry; Saint Laurent boots. On Baker: Giuliva Heritage suit; stylist’s shirt, tie; Omega watch; David Yurman jewelry; Scarosso X Warren Alfie Baker Boots.
Photographed by Daniel Prakopcyk; Kelly grooming: Jess Ortiz.
Britt Mccamey Dresses ‘Baddies’
CLIENTS Lola Tung, Myha’la
Lola Tung (left) in Miu Miu stripes and miniskirt; Myha’la decked out in Valentino: Says Mccamey, “The clashing textures of Alessandro Michele’s designs resonate with Myha’la.”
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TOP LOOK Mccamey currently keeps fashion’s latest “It” girls Tung (The Summer I Turned Pretty) and Myha’la (Industry) ready in the most Instagrammable and TikTok-ready fits. “Neither is afraid to be polarizing. They both push me to care less about the noise,” says Mccamey, who recently dressed Tung in Miu Miu stripes and a suede miniskirt in Paris. “Lola’s my favorite Penny Lane. She loves everything about the ’70s, whether suede, flares or pencil skirts,” she says. A few days later, Myha’la stepped out in Valentino fur, lace and studs in Rome. The bold look is in Myha’la’s comfort zone: “Britt understands my proclivity for risk!” Adds Tung: “Britt taught me that style is not about what you wear but about who you are.”
What’s your approach to styling?
I don’t bring fashion references to initial client meetings. My process is to get a sense of them first and then craft a world from there.
How would you describe Myha’la’s style?
She’s the dichotomy of sharp curation but has a down-to-try-anything attitude. We play in contradictions.
How would you describe Lola’s style?
Lola’s really in tune with the narratives of her current projects and loves to express that through her clothing. For The Summer I Turned Pretty, we developed her personal style to the rhythm of the show — she graduated into more polished luxury designers for the show’s finale in Paris.
What do you appreciate most about working with both?
I love how connected to vintage and archival pieces they both are. We also have many conversations about the looks we know will be polarizing and generate online hate. It means a lot that they are teaching me not to give a fuck. They are both baddies.
From left: Lola Tung, Myha’la and Britt Mccamey were photographed by Grace Rivera on March 24 at PMC Studios in New York.
On Tung: Ottolinger top; vintage Jean Paul Gaultier skirt; Tom Ford shoes. On Myha’la: Tom Ford dress. On Mccamey: Vintage Saint Laurent top; Saint Laurent pants; Givenchy shoes.
Photographed by Grace Rivera; Tung hair: Dana Boyer. Tung makeup: Misha Shahzada. Tung and+ Myha’la manicure: Maki Sakamoto. Myha’la hair: Dre. Myha’la makeup: Shyanna Lundi. Fashion Assistants: Savannah Asant, Olivia Reid, Arianna Sandoval.
On Tung: Ottolinger top; vintage Jean Paul Gaultier skirt. On Myha’la: Tom Ford dress; Christian
Louboutin shoes. On Mccamey: Vintage Saint Laurent top; Saint Laurent pants.
Photographed by Grace Rivera; Tung hair: Dana Boyer. Tung makeup: Misha Shahzada. Tung and+ Myha’la manicure: Maki Sakamoto. Myha’la hair: Dre. Myha’la makeup: Shyanna Lundi. Fashion Assistants: Savannah Asant, Olivia Reid, Arianna Sandoval.
Jason Bolden Does Not Only Do Tuxes
CLIENTS Michael B. Jordan, Ryan Coogler, Cynthia Erivo
Michael B. Jordan, an Oscar surprise (sort of), bore the spotlight beautifully in Louis Vuitton.
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TOP LOOK On Hollywood’s biggest night, all eyes were on Oscar winner Jordan, whom Bolden suited up in a mandarin-inspired Louis Vuitton stand-collar jacket. Says Bolden of his longtime client: “Mike has passion for food, so naturally, most of my favorite memories with him involve enjoying culinary experiences. Whether it’s yakisoba in Kyoto or barbacoa in Mexico City, those times stand out the most.” Post-Oscars, Jordan — who says that at the start of every styling session, they also touch upon other topics: “We always begin with conversations about art, life, culture, music and everything in between” — beelined it for In-N-Out, captioning his own Instagram shot: “A kid, a dream and a burger.”
What was the inspiration for Michael’s Oscar look?
Mike has a strong appreciation for mandarin stand collars, which served as a key inspiration for his custom look. The choice for us was a blend of sophistication with understated simplicity.
Was there an overriding theme for all his Sinners looks?
We focused on standout silhouettes. We incorporated several subtle Easter eggs within each of his red carpet looks, which added a layer of intrigue.
Michael B. Jordan and Jason Bolden
Kwaku Alston
Sophie Lopez Brings Sleek Chic
CLIENT Kate Hudson
For Hudson’s Armani Privé Golden Globes gown, “Everything aligned: the craftsmanship, the silhouette, the presence on the carpet,” says stylist Sophie Lopez.
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TOP LOOK While Song Sung Blue marked Hudson’s return to serious awards contention, a liquidy silver Giorgio Armani Privé gown at the Golden Globes reestablished the nominee’s status as a fashion icon. “It was about strong silhouettes, defined shape and pieces that felt impactful without being overworked,” says Lopez. Adds Hudson, cheekily, “I feel most powerful when something’s holding me. I like bodycon dresses — I have a little bit of a booty, and when that feels supported, I feel confident.”
How do you keep your collaboration fresh after so many years?
There’s a deep level of trust, which gives us the freedom to take risks and push things further each season. Kate and I are constantly challenging each other in a way that keeps it feeling new.
What was the overriding theme for Kate’s Song Sung Blue looks?
We wanted modern glamour with a sense of ease. Song Sung Blue has a nostalgic, emotional core, so we subtly referenced that. There’s a softness and romance to Kate’s looks, but they’re grounded in something clean and current.
Kate Hudson and Sophie Lopez were photographed by Chantal Anderson on March 18 at L’Ermitage Beverly Hills.
On Hudson: Valentino gown; Dena Kemp jewelry; Aquazzura shoes. On Lopez: Valentino dress; Emily P Wheeler ring; Wolford tights; Jude shoes.
Photographed by Chantal Anderson; Hudson hair: Renato Campora. Hudson Makeup: Tonya Brewer. Hudson manicure: Brittney Boyce. Lopez Hair and Makeup: Salvador Gonzales. Fashion Assistant: Thanda Gibson.
On Hudson: Valentino gown; Dena Kemp jewelry; Aquazzura shoes. On Lopez: Valentino dress; Emily P Wheeler ring; Wolford tights; Jude shoes.
Photographed by Chantal Anderson
Karla Welch’s Maximalist Minimalism
CLIENTS Renate Reinsve, Tessa Thompson, Tracee Ellis Ross, Lily Allen, Sarah Paulson
Reinsve made a statement at the Oscars in modern red Vuitton.
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TOP LOOK “I always knew we wanted red for the final night,” Welch says of the Sentimental Value nominee’s modern Louis Vuitton dress with a thigh-high slit at the Oscars. “The whole season had a throughline of white, black and red, and everything had a sculptural element to it. It felt like her — sexy, strong, classic with a twist.” But minimalist does not mean simple. Says Reinsve: “I’ve actually learned how technically good you have to be in the lines, the clothes, how it moves, how it holds up and everything.”
How would you describe Renate’s style?
She’s strong, confident, bold and intuitive. Renate feels herself in her clothes, and she’s so very modern.
You’re known for high fashion and risk-taking. What was the biggest risk you took with Renate?
We could fit without even saying a word in advance, even from the first fitting years ago. We are always confident in our choices, and we know what we love. If everyone else loves it too, great!
Renate Reinsve (left) and Karla Welch were photographed by Chantal Anderson on March 13 in Los Angeles.
On Reinsve: The Row gown; Ana Khouri jewelry; Carven shoes. On Welch: The Row gown; Ana Khouri jewelry; Kwaidan Editions shoes.
Photographed by Chantal Anderson; Reinsve hair: Jenny Cho. Reinsve Makeup: Emily Cheng. Reinsve nails: Emi Kudo.
On Reinsve: The Row gown; Ana Khouri jewelry. On Welch: The Row gown; Ana Khouri jewelry.
Photographed by Chantal Anderson; Reinsve hair: Jenny Cho. Reinsve Makeup: Emily Cheng. Reinsve nails: Emi Kudo.
Petra Flannery Knows the Mission
CLIENTS Emma Stone, Zoe Saldaña
The mustard-hued Louis Vuitton on the festival circuit signaled a bolder kind of role for Emma Stone in Bugonia.
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TOP LOOK For the London Film Festival, Stone chose sleek and simple Louis Vuitton with a draped chiffon shawl. “It was a mustard yellow tone with a little bit of depth, which gives a nod to the bees in Bugonia,” says Flannery, who drew inspiration from ’90s supermodels for the best actress nominee’s awards season looks. Says Stone: “Petra’s favorite thing to do is create a story with what I’m wearing. It pushes me to take more risks.”
How was styling Emma this awards season different from previous years?
It was driven by the fact that she shaved her head for this role. We started last year with her returning at the Globes with almost a pixie cut, à la Mia Farrow, and a lot of talk was where her hair was going to be at.
Which look was the most fun to collaborate on for Emma’s Bugonia press?
The Oscars dress because it was a finale to the ’90s theme we were going for. I loved the structure of the cap sleeve contrasting with the softness of the beading. The silhouette was a perfect fit.
Petra Flannery and Emma Stone
Munachi Osegbu
Olivia Dean
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Simone Beyene
CLIENT Olivia Dean
TOP LOOK The “Man I Need” best new artist winner eschewed Grammys flash in favor of two elegant Chanel looks, including an embroidered black-and-white gown with feather embellishments, which Beyene has described as “the dress of our dreams.”
Meryl Streep
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Micaela Erlanger
CLIENTS Meryl Streep, Lupita Nyong’o
TOP LOOK Miranda Priestly fans are girding their loins for The Devil Wears Prada 2, projected to open to $55 million-plus. Erlanger played to her audience, commissioning custom crimson Dolce & Gabbana for the film’s global kickoff in Mexico City (for more, see page 32). Says Erlanger, “The look is a modern homage to Miranda Priestly — sharp, intentional and unmistakably powerful — but with a fresh, contemporary ease.”
Jacob Elordi
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Wendi & Nicole Ferreira
CLIENTS Jacob Elordi, Seth Rogen
TOP LOOK While in London promoting Wuthering Heights, internet boyfriend Elordi hit the street in the season’s most sought-after Chanel x Charvet tuxedo-style shirt from Matthieu Blazy’s debut Spring Summer 2026 ready-to-wear collection. It retails for $4,350, has a waitlist and boasts a signature Chanel chain at the waist. Elordi wore a peachy-pink version for Jimmy Kimmel Live!
Jessie Buckley
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Danielle Goldberg
CLIENTS Jessie Buckley, Ayo Edebiri, Greta Lee, Margaret Qualley, Zoë Kravitz
TOP LOOK From serious character actress to Oscar winner and fashion star, Hamnet‘s Buckley was masterfully dressed every step of the way, most notably in a Grace Kelly-inspired custom blush-pink Chanel chiffon gown with a red shoulder wrap for the Academy Awards, which many media outlets deemed the dress of the evening.
Jennifer Lawrence
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Ryan Hastings
CLIENT Jennifer Lawrence
TOP LOOK The Die My Love actress hired Hastings mid-press tour in the fall, and the instant transformation to thoughtful simplicity and a lot of black coded ultimate quiet luxe on the street. For the red carpet, Hastings delivered a smoldering siren look, with Lawrence surprising fans in a jaw-dropping floral-embroidered naked dress by Givenchy at the Golden Globes.
Sarah Pidgeon
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Emma Jade Morrison
CLIENTS Sarah Pidgeon, Kerry Condon, Zoey Deutch
TOP LOOK A fashion star is born: Love Story‘s Pidgeon garnered rave reviews for her blush Balenciaga bubble-hem gown at the Actor Awards. When it came to channeling style icon Carolyn Bessette Kennedy, however, the duo didn’t want anything too literal. “Carolyn was a far more avant-garde dresser than the current cultural conversation gives her credit for — she was wearing Yohji Yamamoto, Prada, Narciso Rodriguez and working with designers who were doing radical things at the time,” says Morrison, whose goal was never method dressing, rather honoring the spirit of Carolyn while finding Sarah’s own version of that energy.
Paul Mescal
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Felicity Kay
CLIENTS Paul Mescal, Aimee Lou Wood
TOP LOOK The Hamnet star and his stylist chose a steel-blue Vivienne Westwood silk bow shirt and dark suit (a departure from Mescal’s usual Gucci brand partnership) for the British Independent Film Awards. The slightly romantic evening look perfectly exemplified Kay’s knack for taking the fuss out of formalwear without losing the elegance. Says Kay, “Paul has a real love of vintage, so we’re often looking at archives. There is a lot of effort to think outside the box and reimagine ‘traditional’ silhouettes.”
Harry Styles
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Harry Lambert
CLIENT Harry Styles
TOP LOOK The “Kiss All the Time. Disco, Occasionally” singer rocked the stage (pinstripes at the BRIT Awards) and the street (leopard in New York) in a skillfully curated lineup of Chanel clothing and accessories — including an oversized, yet-to-be-released Chanel 25 flap bag — from the brand’s new creative director, Matthieu Blazy. Lambert can also claim a film credit with his cameo as ‘stylist’ in Styles’ “American Girls” video.
Elle Fanning
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Samantha McMillen
CLIENTS Elle Fanning, Kirsten Dunst, Michelle Pfeiffer
TOP LOOK Forever a fashion chameleon, Sentimental Value‘s Fanning played with proportions in a voluminous pink top and red feather-like skirt by Balenciaga at the Academy Museum Gala, showcasing her knack for youthful, romantic whimsy. “We love Pierpaolo [Piccioli at Balenciaga]. He has this extraordinary gift for colorblocking in the most unexpected palette combinations,” says McMillen. The chosen dress “felt modern in the fabric and construction, but there’s also this retro movie star quality we found irresistible.”
Timothee Chalamet
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Taylor McNeill
CLIENTS Timothée Chalamet, Robert Pattinson, Brad Pitt
TOP LOOK McNeil and Chalamet know the value of making strategic fashion choices to market a project before it drops. The Marty Supreme star stood out in “hardcore orange” inspired by his character’s orange ping-pong balls, including a Chrome Hearts leather suit (partner Kylie Jenner wore a matching leather gown) accessorized with a cross-body ping-pong paddle case at the film’s L.A. premiere. The A24 film was a huge box office success with over $179 million in revenue.
Margot Robbie
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Andrew Mukamal
CLIENTS Margot Robbie, Mikey Madison
TOP LOOK Robbie remains the queen of red carpet method dressing, most recently collaborating with her stylist on a series of Emily Brontë-esque corsets, velvet and lace inspired by her portrayal of Cathy in Wuthering Heights. The actress-producer stepped out in a dramatic bustier gown by Schiaparelli with Elizabeth Taylor’s famed Taj Mahal necklace (a gift from Richard Burton) featuring a heart-shaped diamond pendant with the inscription “Love is Everlasting” at the L.A. premiere. The film went on to gross over $235 million worldwide.
Bad Bunny
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Storm Pablo
CLIENT Bad Bunny
TOP LOOK There was a reported 6,000 percent spike in “Zara + Bad Bunny” searches overnight following the star’s immersive and historic Super Bowl halftime performance. According to Launchmetrics, his onstage look generated an estimated $942.4 million in media impact value and over half of the MIV for the entire Super Bowl itself. “The inspo was to be as authentic as possible to where he comes from, Puerto Rico, mixed with something he’s comfortable in,” says Pablo of the all-cream look with his own jersey. “Benito already had a clear vision for his look, and the Zara team did a great job at elevating it.”
Law Roach
Zendaya
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CLIENTS Zendaya, Ariana Grande
TOP LOOK Zendaya consistently delivers high-impact, theme-appropriate Met Ball fits, and 2025 was no exception. For the “Superfine: Tailoring Black Style”-themed event, the actress and her longtime stylist called on Louis Vuitton’s Pharrell Williams to create a three-piece white zoot suit, initially reminiscent of Diana Ross’ 1975 film Mahogany (Zendaya coincidentally walked the iconic Met steps behind Ross). Roach has shared that his inspiration was Mick Jagger’s stylish ex Bianca Jagger and her 1971 wedding suit, especially timely for the then-newly engaged star, who sported her 5.02-carat diamond ring from Tom Holland.
Gracie Abrams
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Spencer Singer
CLIENTS Gracie Abrams, Billie Eilish
TOP LOOK Abrams (in Chanel) and Paul Mescal made their red carpet debut and public relationship hard launch at the BAFTAs. The “That’s So True” singer and Chanel ambassador stayed true to her cool-girl aesthetic in an embellished sheer gown with minimal accessories and sleek hair.
Wagner Moura
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Ilaria Urbinati
CLIENTS Wagner Moura, Dwayne Johnson, Donald Glover, Barry Keoghan
TOP LOOK The Secret Agent Oscar nominee suited up in “bold but cool and classic” robin’s egg blue Giuliva Heritage for the Santa Barbara International Film Festival. Says Urbinati: “Wagner is so inherently chic, in a way that he may not even realize, so minimal, monochromatic looks allowed that to come through.”
Selena Gomez
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Erin Walsh
CLIENTS Selena Gomez, Anne Hathaway
TOP LOOK Gomez won the Emmys in a red asymmetric halter Louis Vuitton gown with Tiffany & Co. diamonds. “The idea of an energetic red before her wedding felt enticing, and the simplicity and grandeur Nicolas Ghesquière’s gorgeous Louis Vuitton offered was perfection,” says Walsh, whose book The Art of Intentional Dressing with a foreword by Hathaway drops May 5.
Dakota Johnson
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Kate Young
CLIENTS Rose Byrne, Dakota Johnson, Scarlett Johansson
TOP LOOK Johnson’s pink Gucci fringe — a standout on the Croisette — was inspired by its famed red carpet: “The fact that it’s a long walk and lots of stairs lent itself to a dress with a lot of movement,” says Young of the dress at the premiere of Spike Lee’s Highest 2 Lowest in Cannes.
How Their Fits Lit Up Oscar’s Red Carpet
Lewis Pullman adjusted his Saint Laurent cuffs with an assist from stylist Warren Alfie Baker as he suited up to present the award for best film editing.
Courtesy of Warren Alfie Baker
Hamnet star Paul Mescal (in Celine) posed for photos at Chateau Marmont. Kay says the look felt authentic to Mescal’s personal style, noting the “elegance” and a “slightly vintage-leaning shape.”
Courtesy of Felicity Kay
Stylist Karla Welch, with her team, added the final touches to Sentimental Value nominee Renate Reinsve’s red Louis Vuitton look, with extra sparkle courtesy of a statement diamond cuff from the fashion house’s High Jewelry collection.
Courtesy of Karla Welch
Bugonia actor Jesse Plemons’ bespoke Anto Beverly Hills tuxedo shirt (styled by McMillen).
Courtesy of Samantha McMillen
Stylist Felicity Kay steamed Hamnet presenter Paul Mescal’s Celine jacket.
Courtesy of Felicity Kay
If I Had Legs I’d Kick You best actress nominee Rose Byrne’s Dior gown, ready at the Beverly Hills Hotel. “Easy, modern, classic,” says stylist Kate Young of Byrne’s style.
Courtesy of Kate Young
Sentimental Value nominee Elle Fanning showed off her dramatic wisteria-embroidered Givenchy train with her glam team in tow. “We went full iconic leading lady, which felt right given that Elle’s character Rachel Kemp really embodies that,” says stylist Samantha McMillen.
Courtesy of Samantha McMillen
Presenter Anne Hathaway (in Valentino) and her stylist Erin Walsh snapped a selfie backstage at the Dolby Theatre.
Courtesy of Erin Walsh
Polaroids of Love Story star Sarah Pidgeon’s Vanity Fair party glam and her CK One bottle bag to accessorize her CBK-coded Calvin Klein Collection dress, curated by stylist Emma Jade Morrison.
Courtesy of Emma Jade Morrison
The Next Gen Stylists Ready for Their Close-Up
From left: Heated Rivalry’s Hudson Williams in sheer Balenciaga at the Vanity Fair Oscar party; Wunmi Mosaku at the Sinners New York premiere; and Iris Law at the VF party.
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From Sinners to winners, risk-takers to newsmakers, these style collaborators for Hudson Williams, Shaboozey, Myha’la and Iris Apatow make their people pretty and their provocateurs stand out even more.
Anastasia Walker
CLIENTS Hudson Williams, Shaboozey
The bicoastal stylist got her start working at Viacom in New York, fully intending to segue into styling. She studied magazine mastheads and familiarized herself with styling teams, all the while sending out her résumé in hopes of landing an assistant gig. It worked. She currently keeps two of the entertainment world’s buzziest stars stylish, juggling Heated Rivalry’s Williams (“Hudson’s style is androgynous, classic and fun,” she says) and genre-fluid artist Shaboozey (“a heavy dose of Western influence”). Walker’s favorite moment was Shaboozey in a deconstructed Campillo tuxedo and custom chain-stitched suit at the Oscars for Sinners. “Both the red carpet and performance were such a great representation of his style archetype,” she says of his high fashion-meets-cowboy heritage ensembles.
Britt Mccamey
CLIENTS Lola Tung, Myha’la
See above.
Shameelah Hicks
CLIENT Wunmi Mosaku
Meet the stylist responsible for Mosaku’s “intentional and exciting” striking color choices. The Sinners best supporting actress nominee donned crimson, canary yellow and cobalt to acclaim throughout awards season. “My favorite look was the blue Harbison by Charles Harbison for the film’s New York premiere. The color and print were incredibly striking against Wunmi’s skin tone, and the cape added just the right amount of drama,” says Hicks, who emphasizes the importance of their commitment to including Black design talent for major red carpet moments, making those looks feel “especially meaningful.” Hicks, who moved from Detroit to New York to pursue styling, previously assisted THR top stylist Jason Rembert (Adrien Brody, Chloe Bailey) and worked with him on several standout moments for Issa Rae.
Austen Turner
CLIENTS Iris Law, Iris Apatow
Call it nepo nirvana: The clientele of the New York-based stylist includes two of Hollywood’s hottest offspring: British model and actress Law, daughter of Jude, has fronted campaigns for David Yurman and Guess Jeans, while Tell Me Lies star Apatow, daughter of Judd, has posed for Puma and partnered with such luxury brands as Gucci and Prada Beauty. Both Gen Z style icons attended the Vanity Fair Oscar party in elegant looks — Apatow in a ruffled Rodarte halter gown and Law in an ivory silk Fendi dress from Maria Grazia Chiuri’s debut. “The moment I saw the Fendi dress go down the runway, I knew it was the dress. Ask my friends — they had to hear about it,” says Turner. — C.M.
This story appeared in the April 8 issue of The Hollywood Reporter magazine. Click here to subscribe.