Scott Adsit and Rita Wilson are among the show’s rotating cast. Courtesy Evan Zimmerman for MurphyMade
For more than three decades, Angelo Fraboni has built a career that spans Broadway stages, national tours, arts administration, and theatrical producing. Today, while serving as Artistic Director of the Madison Theatre, on the Molloy University campus, Fraboni continues to leave his mark on the professional theater world as a producer of Broadway’s “Celebrity Autobiography,” the comedic sensation currently delighting audiences once again after its original Drama Desk-winning run in 2008.
The show, created by Eugene Pack, takes passages from celebrity memoirs and transforms them into a live comedy event performed by well-known actors. For Fraboni, the appeal of the production has remained remarkably consistent since he first became involved. “Laughter,” he says when asked why the show continues to resonate.
“Everyone needs something to laugh at and just enjoy where you don’t have to think very hard. It’s easy laughter. We’re not making fun of people; we’re just reading this banal dialogue that people write in their autobiographies.”
Angelo Fraboni is all smiles on opening night with his wife, Michelle Fraboni and his Molloy students Grace McNally, left, and Skylar Faith Ludwig. Courtesy Michaelah Reynolds
That spirit of spontaneity has helped make “Celebrity Autobiography” a unique theatrical experience. Unlike most productions, the cast has little rehearsal time together before stepping onstage.
“The actors are cracking each other up as much as they’re cracking up the audience,” Fraboni says. “The greatest thing about the show is the rawness of it and these celebrities being human on stage with each other. It’s glorious.”
Fraboni has been involved with the production since its early years, serving as both producer and general manager before focusing exclusively on producing. He has helped bring the show to audiences across the United States and around the world, while continuing to oversee one of its most challenging components: casting. While the rotating cast has already featured the likes of Katie Couric, Rita Wilson, Keenan Thompson, and Tony Shalhoub, it also has an especially strong Long Island connection, featuring local entertainment icons such as Alan Zweibel, Susan Lucci, Ralph Macchio, and Ray Romano. Pack and co-producer Douglas Denoff are also from the area. While Fraboni’s current work places him at the center of Broadway and Off-Broadway productions, his path to producing began far from New York. Raised in a mining town in northern Minnesota, he started ballet lessons at age six alongside his twin brother.
“I was really into sports,” he recalls. “My mom and dad said, ‘Why don’t you take ballet? It will help with your athleticism.’”
What began as an extracurricular activity soon became a career. After high school, Fraboni joined a ballet company and performed professionally for five years. A chance audition for “West Side Story” during an off-season changed everything. The opportunity introduced him to acclaimed choreographer and director Jerry Mitchell, who cast Fraboni in six of his first seven productions. The experience ultimately led to his Broadway debut in “Cats” and opened doors throughout the industry.
As a performer, Fraboni developed a habit that would later serve him well as a producer and artistic leader.
“I would listen and watch,” he says. “I wanted to hear what the directors and choreographers were saying. I was very tuned in to what was going on.”
Eventually, curiosity about the creative process led him offstage and into producing. The transition revealed a side of theater audiences rarely see.
“As a performer, you show up to the theater do your job, and get your paycheck,” he says. “As a producer, you’re working constantly for months and months, sometimes years. Your job is never done.”
That commitment to building opportunities for others became the foundation of his work at Molloy University. Fraboni’s connection to the institution dates back more than two decades, when he helped bring Broadway legend Carol Channing to campus for a gala performance. There, he met then-president Drew Bogner, who shared plans to build a theater. One decade later, Fraboni received a call encouraging him to apply for the artistic director position at the newly constructed Madison Theatre.
“It was still a shell,” he remembers. “I was instrumental in how they built the infrastructure.”
Over the next 15 years, Fraboni transformed the Rockville Centre venue into a regional performing arts center featuring Broadway-caliber productions, symphony performances, international artists, jazz concerts, and educational opportunities. He also played a key role in bringing the renowned CAP21 musical theater program to Molloy, creating new pathways for aspiring performers.
“The idea was to make it an arts center with a variety of art,” he says. “I wanted it to be a regional theatre and performing arts center, but also give the students the opportunity to grow and perform with professionals.”
Despite balancing productions at Molloy with responsibilities on “Celebrity Autobiography,” Fraboni says the rewards make the long hours worthwhile.
“The joys are the audiences laughing and enjoying what we do,” he says. “We create what we think will be the best thing possible for our audiences to see, and the payoff is when they enjoy it.”
Whether producing a Broadway comedy, mentoring students at Molloy, or developing new artistic opportunities on Long Island, Fraboni remains committed to the idea that theater is ultimately about people coming together.
“There’s nothing like going to the theater, laughing with people, and experiencing a journey,” he says. “Everybody is emotionally affected differently by a show. That’s inspiring to me.”
Visit celebrityautobiography.com for more information or to purchase tickets.