Anne Hathaway explaining how the IMAX mirror system worked during the shooting of The Odyssey



    Posted by Contcos

    Share.

    14 Comments

    1. BoomSaysTheLady on

      It’s always a delight to listen to people geeking out about something they are passionate about, no matter the subject. But the way Anne explained it is so enthusiastic and also so simple, even when I don’t really understand the terminology it doesn’t sound complicated.

    2. Flashy-Gas6076 on

      I love this super articulate and passionate answer contrasting with the interviewer’s shirt.

    3. Aggressive-Hunt-7037 on

      Another point is they are all generous actors who actually do the other side of the two shot.

      too many actors won’t do it and leave it to scripty to yell out or a stand in. Tbf sometimes they can’t because they’re in hair and makeup. but an actor who shows up for everyone else will make sure they’re there, esp for the other persons cu.

      love Anne explaining how this was built by **humans** and is brilliant.

    4. townsummoner on

      I’m English major raised by English majors and I didn’t know ‘*strategy’* can be used like that. I found the definition: “a complex of adaptations.” I love being excited to use a word in a different way.

    5. This was just a wonderful explanation. I know nothing about this topic, yet I understood everything she said. And god I love seeing the passion!!!

    6. Wow, this is cool information! I had no idea the obstacles to making a regular movie with IMAX

    7. Sigh… I could never be that articulate and eloquent describing anything, even topics I’m passionate and knowledgeable about.

    8. Spicy2ShotChai on

      This is fantastic and I could listen to Anne Hathaway talk about it for hours. I remember learning about how some of the Sinners scenes were shot with IMAX cameras and they had to dub everything over, which is a huge undertaking for anything, but especially for a film like that where the vocals are so key to the performances; the dedication and exactitude that every performer had to have not just on set but then later in a recording studio is really impressive

    9. Can someone explain to me why she’s talking about looping in the begining? If you can’t record sound what are you looping? And if you’re looping the image what does that have to do with sound?